One of the highlights of our last trip to Texas was an invitation to place my personal papers, early journals, recordings, and memorabilia with the Woodson Research Center at Rice University in Houston, Texas. Part of a larger collection of 1960s-1980s Houston folk music archives, these materials are now available to the public for research. It is an honor to be involved with this project, and I expect to be adding to the collection as time goes on. For more information, please contact: Norie Guthrie, CA, Archivist Librarian, http://library.rice.edu/woodson
The summer of 2016 has been overshadowed by death in the family. Life and work go on, with further edits on All of This Was Mine, my novel in progress. I have no scheduled public shows coming up in Europe. I will be posting some dates for October-November in Texas. Meanwhile, here are some dates for spring of 2017 with W.C. Jameson. www.wcjameson.com … Tour booking is still in progress, with dates open going into May. Please contact: Paul Rostetter at Brambus Records, firstname.lastname@example.org
It gives me considerable pleasure to announce the release of Plenty Good People, a new duo CD with W.C. Jameson, recorded in April 2015 at The Lodge, Georgetown, Texas.
Jameson, a man you could write a book about, has written nearly a hundred on his own. Cowboy, adventurer, treasure-hunter, folklorist, poet, and novelist, he covers a lot of bases. Add accomplished songwriter to that, with a voice reminiscent of Waylon Jennings. Most of the songs on the record come from co-writing sessions, when a chance suggestion looked like challenge and opportunity. It has now come to life.
Aside from Kenny Williams (upright bass), the players on this project are the same team we used on Gulf Coast Tales in 2014: Franci Jarrard (accordion, keyboards, vocals); Lynette Perkins (percussion, vocals); Andre Mathews (lead guitar); Javier Chaparro (violin). Produced with Rick Dinsmore (vocals) and Bradley Hartman; engineering by Bradley Hartman (arm-long list of engineering credits, including Willie Nelson and Emmylou Harris). Made in Texas by Texans. Cover art by Julie Sola.
Going back to 1990 with the release of Hearts and Rivers with my old State of the Heart band, I believe this will make my 15th release on long-running Swiss label, Brambus Records. Many Thanks to Paul Rostetter who has kept the company going In the face of insurmountable challenge from the digital revolution that—we’ve been told over and over—has made CDs obsolete.
Signed books and Music: www.MyTexasMusic.com
European music distribution: www.brambus.com
Books in print and Kindle from Amazon: www.amazon.com : Pleasures of the High Rhine, A Texas Singer in Exile: Travel, music, and fishing adventures; expatriate tales from Europe at the turn of the millennium. The Years the Wind Blew Away, Don Ricardo’s Life and Times, the collected and edited newsletters from 1978-2012. The Gulf Coast Boys: First published in 1996, offshore adventures and tales from the road with Townes Van Zandt and the Hemmer Ridge Mountain Boys. (Second edition).
Our new CD, Gulf Coast Tales
Pleasure of the High Rhine: A Texas Singer in Exile book review
Richard Dobson is a Texas singer-songwriter from Tyler and former roughneck who gamboled around Galveston and Houston, then Austin and Nashville, before spending the past 13 years living in Switzerland and playing all over Europe. That’s the shorthand. The long version is this fine piece of contemporary literature, Pleasures of the High Rhine – A Texas Singer in Exile.
I’ve known Richard since the 1970s when he was hanging around Austin and sometimes touring as part of Townes Van Zandt’s band, as told in his previous book Gulf Coast Boys, and have stayed in touch over the years by reading his eloquent observations in his occasional Don Ricardo’s Life and Times newsletter.
He’s enjoyed nominal success, his songs having been covered by Guy Clark, Nanci Griffith, Kelly Willis, Carlene Carter and Dave Edmunds, and the Carter Family, among others. As solid as his tunes are, it’s Dobson’s literary writing that grabs me.
Pleasures of the High Rhine was written at a critical time in Dobson’s life: his friends Townes and the writer Roxy Gordon have died fairly young, leaving him to contemplate their lives and demise. A red-haired Swiss woman has left her family and joined him in Galveston for a year before returning to Switzerland as a couple. A new millennium has begun.
Pleasures of the High Rhine covers songwriting, collaborating, performing and recording with a German band led by Thomm Jutz (now a Nashville cat), the strangeness of playing venues that ostensibly showcase American country music, and observations thereof, a critical skill for any songwriter.
But it’s also about living as an expatriate in a foreign country, redefining what home is, learning to speak German, being welcomed into a new family, living on the Swiss-German border, food, drink, his relationship with Edith, trips back to Houston and Nashville, gardening (including growing his own marijuana in a society that doesn’t much care one way or another) aging, and, water.
The latter is where Dobson really sings. He opens with a passage about fishing in the Gulf off of Galveston, down to describing the second and third sandbars offshore and the joys of “green water” fishing in the fall when the Gulf clarifies briefly into Caribbean-like beauty. Finding beauty in its harsh roughness, he writes the Texas Gulf like no one I’ve read before.
He soon finds himself on the Rhine River and delves into it with similar zeal and a newfound curiosity.
His pursuit of a fishing license – no easy thing in Switzerland, requiring an extensive 140 question test in Deutsch – a steep learning curve how to fish the Rhein, especially for elusive trout, and his summer swims in the river lead to deep history of the river and its inhabitants, including not so pleasant events such as Kristalnacht when synagogues were burned and Jews persecuted, and the historic fouling and restoration of the waterway.
He gets it.
Contemporary global events such as the election of George W. Bush and 9-11 are seen from a distance that lends perspective, written by a kindred spirit.
The finest singer-songwriters possess the gift where their words often transcend the music. In Pleasures of the High Rhine, Richard Dobson’s words simply sing.
Available through mytexasmusic.com
The Years the Wind Blew Away: Don Ricardo's Life and Times
The Years the Wind Blew Away, an edited edition of newsletters from 1978-2012 is now available through Amazon, in both print and Kindle versions. With publication of this book, I changed the name of this ongoing series to Don Ricardo’s Report from the High Rhine.
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